what if the Gospels are histories…?

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Thinking through a few things… I really like what is going on here, even though I may disagree with him on other things.

“istorical narratives succeed in endowing sets of past events with meanings, over and above whatever comprehension they provide by appeal to putative causal laws, by exploiting the metaphorical similarities between sets of real events and the conventional structures of our fictions. By the very constitution of a set of events in such a way as to make a comprehensible story out of them, the historian charges those events with the symbolic significance of a comprehensible plot structure. Historians may not like to think of their works as translations of fact into fictions; but this is one of the effects of their works. By suggesting alternative emplotments of a given sequence of historical events, historians provide historical events with all of the possible meanings with which the literary art of their culture is capable of endowing them. The real dispute between the proper historian and the philosopher of history has to do with the latter’s insistence that events can be emplotted in one and only one story form. History-writing thrives on the discovery of all the possible plot structures that might be invoked to endow sets of events with different meanings. And our understanding of the past increases precisely in the degree to which we succeed in determining how far that past conforms to the strategies of sense-making that are contained in their purest forms in literary art.

Conceiving historical narratives in this way may give us some insight into the crisis in historical thinking which has been under way since the beginning of our century. Let us imagine that the problem of the historian is to make sense of a hypothetical set of events by arranging them in a series that is at once chronologically and syntactically structured, in the way that any discourse from a sentence all the way up to a novel is structured. We can see immediately that the imperatives of chronological arrangement of the events constituting the set must exist in tension with the imperatives of the syntactical strategies alluded to, whether the latter are conceived as those of logic (the syllogism) or those of narrative (the plot structure).

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