Quadtych with scenes from the life of Christ a...
Quadtych with scenes from the life of Christ and Mary – Resurrection of Christ and Nativity. (Photo credit: Wikipedia)

Mary’s life must be regarded as the prototype of what the ars Dei can fashion from a human material which puts up no resistance to him. It is feminine life which, in any case more than masculine life, awaits being shaped by the man, the bridegroom, Christ, and God. It is a virginal life which desires no other formative principle but God and the fruit which God gives it to bear, to give birth to, to nourish and to rear. It is at the same time a maternal and a bridal life whose power of surrender reaches from the physical to the highest spiritual level. In all this it is simply a life that lets God dispose of it as he will. From that life Christ chiselled the form he needed: unsparingly he took it, used it and squandered it to the limit, and then, with the greatest consideration, he honoured it and glorified it. The situations of this life are inimitable, unforgettable, both unique and universally valid, universally significant. The three cycles of the Rosary offer these situations to the anamnesis of the Church and of Christians, in strictest unity of form with the life of Christ. And, in fact, Mary’s life possesses no detached form of its own; it is the most intimate possible accompaniment of the Christ-form; it stands in the shadow and in the light of Christ’s form alone. But Mary’s form is not simply outshone by the form of Christ; rather, precisely because Christ exploits Mary, precisely because she bears the Cross with him, her form is inundated in a light radiating from him.

That, my friends, should be enough to anger just about every one of you.