I am preparing some notes on a future writing project and came across this.
In Ignatius’ Letter to the Ephesians (chapter 4), he commends a certain amount of unity so that “man by man” the Church will become a choir. This was to create a unity of sound so that the Father would hear and accept the works as befitting the Son.
The Mishnah (Ar. 2:6) states that, in Jerusalem’s Second Temple, “There were never fewer than twelve Levites standing on the platform [as a choir] but there was no limit on the maximum number of singers.” The singing of the Levitical choir was a constant accessory to the sacrificial ritual.
Ignatius compares the connection between the presbytery to the bishop as the strings are connected in a harp.
The Levitical choir also included singers and musicians who played on trumpets, harps, lyres, and cymbals. They sang the festive Hallel songs of thanksgiving. Everyone who had entered with their Passover offering, also joined in and sang along. When we finished the Hallel, we would start all over again!
In chapter 9, Ignatius calls Christians “God-bearers, Christ-bearers, Temple-bearers.” Of course, just before this, he calls the Christians “stones of the Temple.”
Thus far, there is the well-known passage in Barnabas, a lot in 1 Clement, something in Mathetes, and now at least something in Ignatius.
I’m going to go ahead and file this under Publications with the hopes that before too long, I get a contract from the publisher I’ve sent it too.