Unsettled Christianity

Gloria Dei homo vivens – St Irenaeus
January 24th, 2014 by Joel Watts

“Praying in God’s Theater” – A Theater? God owns Tinseltown?

The Angel Appears to John. The book of Revelat...

The Angel Appears to John. The book of Revelation. 13th century manuscript. British Library, London. (Photo credit: Wikipedia)

Over the next few weeks, I’ll post various items related to my upcoming publication, Praying in God’s Theater, Meditations on the Book of Revelation. This is not merely to draw interest, but to point you to specific themes in the book. This is not necessarily an academic book, although I do use academic resources. Neither is it a devotional book. Rather, it is a book aimed at revealing Revelation in a different light.

I guess the first thing is to explain the title.

There is a quote from a little known Christian philosopher of a past century or so. It reads like this:

Alas, in regard to things spiritual, the foolishness of many is this, that they in the secular sense look upon the speaker as an actor, and the listeners as theatergoers who are to pass judgment upon the artist. But the speaker is not the actor — not in the remotest sense. No, the speaker is the prompter. There are no mere theatergoers present, for each listener will be looking into his own heart. The stage is eternity, and the listener, if he is the true listener (and if he is not, he is at fault) stands before God during the talk. The prompter whispers to the actor what he is to say, but the actor’s repetition of it is the main concern — is the solemn charm of the art. The speaker whispers the word to the listeners. But the main concern is earnestness: that the listeners by themselves, with themselves, and to themselves, in the silence before God, may speak with the help of this address.

The address is not given for the speaker’s sake, in order that men may praise or blame him. The listener’s repetition of it is what is aimed at. If the speaker has the responsibility for what he whispers, then the listener has an equally great responsibility not to fall short in his task. In the theater, the play is staged before an audience who are called theatergoers; but at the devotional address, God himself is present. In the most earnest sense, God is the critical theatergoer, who looks on to see how the lines are spoken and how they are listened to: hence here the customary audience is wanting. The speaker is then the prompter, and the listener stands openly before God. The listener, if I may say so, is the actor, who in all truth acts before God.

The liturgy, any liturgy really, is a grand drama before God. This is why a homily, perhaps, is not always needed. Because we have come to worship God and not to speak past God to ourselves.

That is the viewpoint of Revelation, I believe, and the more so of the way I suggest using Revelation. Revelation is a divine drama from the viewpoint of God. The goal is not to please ourselves or to seek some reward, but to worship God and to seek reconciliation with him.

Joel Watts
Watts holds a MA in Theological Studies from United Theological Seminary. He is currently a Ph.D. student at the University of the Free State, analyzing Paul’s model of atonement in Galatians, as well as seeking an MA in Clinical Mental Health at Adams State University. He is the author of Mimetic Criticism of the Gospel of Mark: Introduction and Commentary (Wipf and Stock, 2013), a co-editor and contributor to From Fear to Faith: Stories of Hitting Spiritual Walls (Energion, 2013), and Praying in God's Theater, Meditations on the Book of Revelation (Wipf and Stock, 2014).

Leave a Reply, Please!

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: