de: Gottvater mit dem Leichnam Christi, Niederlande (?), 15. Jh.; Lindenholz, alte Fassung en: God the Father with the Dead Christ, Netherlands (?), 15th century, limewood, old colours Skulpturensammlung (Inv. 8079, erworben 1918, Geschenk James Simon), Bode-Museum, Berlin (Photo credit: Wikipedia)
…Suddenly all of them standing around the gallows know it: he is gone. Immeasurable emptiness (not solitude) streams forth from the hanging body. Nothing but this fantastic emptiness is any longer at work here. The world with its shape has perished; it tore like a curtain from top to bottom, without making a sound. It fainted away, turned to dust, burst like a bubble. There is nothing more but nothingness itself.
The world is dead.
Love is dead.
God is dead.
Everything that was, was a dream dreamt by no one. The present is all past. The future is nothing. The hand has disappeared from the clock’s face. No more struggle between love and hate, between life and death. Both have been equalized, and love’s emptying out has become the emptiness of hell. One has penetrated the other perfectly. The nadir has reached the zenith: nirvana.
Was that lightning?
Was the form of a Heart visible in the boundless void for a flash as the sky was rent, drifting in the whirlwind through the worldless chaos, driven like a leaf?
Or was it winged, propelled and directed by its own invisible wings, standing as lone survivor between the soulless heavens and the perished earth?
Chaos. Beyond heaven and hell. Shapeless nothingness behind the bounds of creation.
Is that God?
God died on the Cross.
Is that death?
No dead are to be seen.
Is it the end?
Nothing that ends is any longer there.
Is it the beginning?
The beginning of what? In the beginning was the Word. What kind of word? What incomprehensible, formless, meaningless word? But look: What is this light glimmer that wavers and begins to take form in the endless void? It has neither content nor contour.
A nameless thing, more solitary than God, it emerges out of pure emptiness. It is no one. It is anterior to everything. Is it the beginning? It is small and undefined as a drop. Perhaps it is water. But it does not flow. It is not water. It is thicker, more opaque, more viscous than water. It is also not blood, for blood is red, blood is alive, blood has a loud human speech. This is neither water nor blood. It is older than both, a chaotic drop.
Slowly, slowly, unbelievably slowly the drop begins to quicken. We do not know whether this movement is infinite fatigue at death’s extremity or the first beginning – of what?
Quiet, quiet! Hold the breath of your thoughts! It’s still much too early in the day to think of hope. The seed is still much too weak to start whispering about love. But look there: it is indeed moving, a weak, viscous flow. It’s still much too early to speak of a wellspring.
It trickles, lost in the chaos, directionless, without gravity. But more copiously now. A wellspring in the chaos. It leaps out of pure nothingness, it leaps out of itself.
It is not the beginning of God, who eternally and mightily brings himself into existence as Life and Love and triune Bliss.
It is not the beginning of creation, which gently and in slumber slips out of the Creator’s hands.
It is a beginning without parallel, as if Life were arising from Death, as if weariness (already such weariness as no amount of sleep could ever dispel) and the uttermost decay of power were melting at creation’s outer edge, were beginning to flow, because flowing is perhaps a sign and a likeness of weariness which can no longer contain itself, because everything that is strong and solid must in the end dissolve into water. But hadn’t it – in the beginning – also been born from water? And is this wellspring in the chaos, this trickling weariness, not the beginning of a new creation?
The magic of Holy Saturday.
The chaotic fountain remains directionless. Could this be the residue of the Son’s love which, poured out to the last when every vessel cracked and the old world perished, is now making a path for itself to the Father through the glooms of nought?
Or, in spite of it all, is this love trickling on in impotence, unconsciously, laboriously, towards a new creation that does not yet even exist, a creation which is still to be lifted up and given shape? Is it a protoplasm producing itself in the beginning, the first seed of the New Heaven and the New Earth?
The spring leaps up even more plenteously. To be sure, it flows out of a wound and is like the blossom and fruit of a wound; like a tree it sprouts up from this wound. But the wound no longer causes pain. The suffering has been left far behind as the past origin and previous source of today’s wellspring.
What is poured out here is no longer a present suffering, but a suffering that has been concluded–no longer now a sacrificing love, but a love sacrificed.
Only the wound is there: gaping, the great open gate, the chaos, the nothingness out of which the wellspring leaps forth. Never again will this gate be shut. Just as the first creation arose ever anew out of sheer nothingness, so, too, this second world – still unborn, still caught up in its first rising – will have its sole origin in this wound, which is never to close again.
In the future, all shape must arise out of this gaping void, all wholeness must draw its strength from the creating wound.
High-vaulted triumphal Gate of Life! Armored in gold, armies of graces stream out of you with fiery lances. Deep-dug Fountain of Life! Wave upon wave gushes out of you inexhaustible, ever-flowing, billows of water and blood baptizing the heathen hearts, comforting the yearning souls, rushing over the deserts of guilt, enriching over-abundantly, overflowing every heart that receives it, far surpassing every desire.
–Hans Urs von Balthasar (1905-1988, Heart of the World)