Dr. Bob Bascom is a Hebrew Bible scholar and Bible translator. Bob is a friend who has taught me a lot about life and love. Literally. He’s a cognitive linguist who can tell you about love in the brain and what kind of love it is. And he does here in the interview.
First of all, Joel told me that I should post here because no one reads my blog. And that’s not very nice. But, he’s probably right. And, once I changed his blog’s tagline to “Where Joel incessantly brain vomits nonsense into cyberspace” for an entire day without him noticing while letting everyone else in on the gag. So I suppose we’re even.
At any rate, I’m cross posting. I’ve written a post on my personal blog about what I’ve been up to for the past year, namely working on the new case-frames feature in Logos 6. Here’s a teaser and you can read the rest HERE:
Case-frames provide a new way of exploring meaning within Logos 6. It may not be apparent on first glance how they do this. Here I will work from an English example to an original language example to demonstrate how this works.
Consider an English verb like “return.” This verb can have several different meanings as in the following sentences:
He returned home.
He returned the donkey to its pen.
In the first case, we might paraphrase “return” as “go back”: “He went back home.” In the second, we might somewhat poorly paraphrase as “bring back” (perhaps this isn’t the only possible interpretation, but this is only an example): “He brought the donkey back to its pen.”
The difference in these two meanings of “return” is reflected in the number of “arguments” that the verb takes in each example …
I haven’t availed myself of my privileges here at Unsettled Christianity for quite some time. At least not since the time I changed the tagline to “where joel incessantly brain vomits nonsense into cyberspace.” Thanks to Jim for preserving that for perpetual memory, or at least until he decides to shut down his blog again.
But, I wanted to take the opportunity to put in a shameless plug since Joel is constantly doing that for his books here anyway and you’re all accustomed to it … Actually, I breakfast with Joel recently and he said I could/should.
For about two years, I was a part of a team of people who worked on a tool within Logos Bible Software called the Bible Sense Lexicon. The project was headed by Sean Boisen, who you can follow on Twitter and also involved David Witthoff who can be found there as well (our Greek counterpart Mark Keaton isn’t on social media, for shame).
The Bible Sense Lexicon is a tool that allows users to better search and explore the bible. In order to give some insight into how the tool can be useful we’ve started a feed on the Logos Academic blog called “Sense of the Day” (think Webster’s Word of the Day). Sense of the day is described as follows:
Sense of the Day is based on content from Logos’ Bible Sense Lexicon, which organizes biblical Hebrew, Aramaic, and Greek words by meaning based on a variety of semantic relationships. Sense of the Day provides examples of senses in context, along with insight into their application for theology and interpretation.
I hope you will check out some or all of the links and consider subscribing to the feed to interact with us about this new tool. You can comment on the blog or send questions via the Logos Academic Twitter account (which also posts the Sense of the Day Link) or shoot them directly at me.
And now back to your regularly scheduled program of Joel brain vomiting nonsense into cyberspace.
Over the past two weeks, Mr. Grunberg has spent several hours a day writing his novella, while a battery of sensors and cameras tracked his brain waves, heart rate, galvanic skin response (an electrical measure of emotional arousal) and facial expressions. Next fall, when the book is published, some 50 ordinary people in the Netherlands will read it under similarly controlled circumstances, sensors and all.
I believe the author is not dead, nor hidden… well, maybe hidden. But not dead. The author is every bit as important, if not more so, than the audience. The author actually determines the (first) audience.
Anyway, this looks like a grand experiment… tucking it away.